Some days just chew you up and spit you out, one more speck in the sea.
Grist for the mill.
Meat for the grinder.
Etc.
Some days just chew you up and spit you out, one more speck in the sea.
Grist for the mill.
Meat for the grinder.
Etc.
It’s that space when the streetlights come on, dim at first, and balance between the sky, the headlights, and themselves, all bright all at the same time.
It’s that space between closing your eyes to blink and opening them again, to see if everything and nothing are just like they were before.
It’s that space between two people in mid-conversation; the invisible line that traces the connection from one set of eyes to another, a thin thread that you don’t want to break.
It’s that space between the jump and the landing, poised between grace and gravity.
It’s that space between one memory and the next, when faces and moments and feelings and smells and sights overlap, and the layers haven’t yet peeled away…
Watching the clouds tracking fast overhead. They barely twitch as they touch the buildings, gliding on their path, their work addressing other purposes. And then the wires, reminding me that here, everything is constructed, controlled, geometric. There are many kinds of patterns here. Some we make with our tools and our hands. Others we make with our dreams, our minds.
Moving from tungsten-hued pools of liquid light, one pointing the way to the next. It’s always a bright orange night here in the city…
It’s a trembling, transient sort of place on a cold Winter night. Colours, sounds, smells, all overlap and blend together, twisting and fading from one block to the next, from one moment to now. The air is brittle and sharp; our words form tiny clouds of warmth, disappearing too fast.
Even amongst the flaking paint, peeling paper, dripping walls, freezing bricks… even there, there’s beauty. Colour. Warmth.
But when things are thrown away like they are daily
Time passes in the constant state
So if that is how it is
I don’t wanna be a star
But a stone on the shore
Long door, frame the wall
When everything’s overgrown
– Overgrown, James Blake.